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The Scent That Captures That "1930s Moment"!
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LXXXIV
There may well have been many clerks like Greene’s Conrad
Drover noting how ‘he might have been at the edge of a great
Army hidden by mist’, and the agents of this class war, each
Tied to their duty, not by principle but simply the accident
Of their position and the bureaucratic badge of lack-courage
To break ranks, as the Assistant Commissioner –Dover’s quarry–
A top civil servant grooming his smoky moustache in his
Office more like a beleaguered general in an artillery-rattled
Chateau ‘behind miles of torn country’, one crisscrossed
With cities acrawl with beetle-like black cabs and scuttling ‘trams’
That ‘screamed down the Embankment’, and buses that ‘circled
Trafalgar Square’, and this thoroughly modern Major General
Of respectful feelings and acutely recoiling conscience sat
And mused on the ‘peace of a Sunday in Pall Mall’ like that
Acrid atmosphere of waste and death that attaches itself
To spent battlefields, and thought of the poverty ‘successfully
Contested’ and the have-nots ‘driven back… to Vauxhall’ and
The ravages, himself, a chalk-striped mercenary, his heart not
In it really; but it was a battle that had to be fought because
The war was ‘already raging, two ignorant armies in a fog’;
And after the event he bitterly envied but also privately
Venerated those luckier men who might come after him and
‘Live to serve’ a cause which they actually believed in…
By 1934 there had evolved just such men, their abilities
To pursue what they felt to be the right causes enabled by
The calibration of public school education, the engine-grease
Of Oxbridge finishing and the lucre of well-oiled parents,
But take the more difficult path they did, when they didn’t
Have to, when they could have just as easily turned to speculation,
Parliamentary politics, drink –or a portly combination…
LXXXV
Spender’s Vienna (a vicarious valediction of a short-lived
Revolution in Austria) and John Lehmann’s The Noise
Of History, taken together, provoked a sympathetic
Critic, and mountaineering Marxist, Michael Roberts –
Whose tortoise features, sunken chin and magnified disdain
Behind spherical Punktal spectacles bore resemblance
To that austere Perpetual Curate and pater to scions
Of windswept genius, Patrick Brontë– to ask, almost
Rhetorically, ‘How do you grieve for strangers?’ (Roberts’
Own Crusoe moment would come in 1934 on the wireless
In Whither Britain?, alongside Churchill and Ernest Bevin)…
But as Samuel Hynes would note in retrospect: ‘time and
Place determine political opinions’, and, as well, ‘emerging
Political convictions alter the angle of sight’ –so abstractions
Are casualties of vicarious convictions and untested theses;
Political impulses and sentiments are melded into symbols
For instant mythologies, a psychological gun-grease,
For there could be no fogs without gods, no doctrines
Without secretaries, no Bloomsbury without belletrists,
No catastrophes without catastrophists, no Argonauts
Without a Golden Fleece, no Thirties without myths –
And the Thirties’ generation of poets and writers were
Nothing if not a latter day questing crew of a figurative
Argo, Auden at its helm as Jason, and his Argonauts,
Bellorophon, Castor, Hercules, Hylas, Nestor, Orpheus,
Peleus, Perseus, Pollux, Polyphemus, Theseus, Zetes, read
Day Lewis, Spender, MacNeice, Cornford, Isherwood, Orwell,
Empson, Caudwell, Roberts, Lehmann, Greene and Waugh…