odourofdevonviolet.com
The Scent That Captures That "1930s Moment"!
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...Scouse music hall crooner, Beatrice Mary ‘Binnie’ Hale
(-Monro), star of Bow Bells and Magyar Melody, ground
Out so many gramaphone songs: ‘Your Blasé’, ‘As Time
Goes By’ and, of course, A.P. Herbet and Henry Sullivan’s
Anthemic ‘A Nice Cup of Tea’ from the revue show, Home &
Beauty, circa 1937... And didn’t Mr. Orwell like to regulate
His granules religiously, as he once detailed in his Eleven
Golden Commandments to preparing and drinking tea,
Washed up in the Evening Violet after a six-year-long
Hangover from the Thirties, in 1946: ‘The teapot should
Be made of china or earthenware. Silver or Britanniaware
Teapots produce inferior tea and enamel pots are worse,
Though curiously enough a pewter teapot (a rarity
Nowadays) is not so bad’, Orwell promulgated: ‘Thirdly,
The pot should be warmed beforehand. …Fourthly, the tea
Should be strong. …Some people would answer that they
Don’t like tea in itself, that they only drink it in order to be
Warmed and stimulated…’ –indeed, many might relish such
Psychical lubrication, such cavalier subversion of leaves
To lift the spirits and sharpen the perceptions, get those trickly
Endorphins brewed and flowing… ‘Tenthly, one should pour
Tea into the cup first. This is one of the most controversial
Points of all’ (only our ‘George’ could make polemic out
Of the tea-making ritual!): ‘Indeed in every family
In Britain there are probably two schools of thought on
The subject’ –naturally Orwell would root out the oppositions
For Darjeeling dialectic: ‘The milk-first school can bring
Forward some fairly strong arguments, but I maintain
That my own argument is unanswerable. This is that, by
Putting the tea in first and stirring as one pours, one can
Exactly regulate the amount of milk whereas one is liable
To put in too much milk if one does it the other way round…’ –
Quod erat demonstrandum: ‘…sufficient to show how
Subtilized the whole business has become. There is also
The mysterious social etiquette surrounding the teapot
(Why is it considered vulgar to drink out of your saucer,
For instance?)’ –tell us, Mr. Orwell, from your own opinion,
Having supped and slopped and slept with lumpenproletariat
Deep in the slumming back-to-back bowels of dingy Wigan…?
‘…and much might be written about the subsidiary uses
Of tealeaves, such as telling fortunes, predicting the arrival
Of visitors, feeding rabbits, healing burns and sweeping
The carpet…’ –sweeping the carpet…? Was Mr. Orwell
Fibbing? Or did he hold to the bourgeois habit not only
Of disembodied Mass Observing but also swallowing old
Wives’ tales with thick dripping? It would have made for
Exceedingly good witness Mr. Orwell versus Mr. Kipling....
LXXVIII
…apart from a warm reviver, and then maybe a leaf of lavender,
One can always count on the dulcet scent of DEVON VIOLET,
Odour Postpone, as a soporific for the heart-emptying notes
Of night’s postponement of impossible thoughts into possible
Dreams, until rosey dawn disperses dark’s phantasmagoria,
The moon’s shadow-pl ay that danced all night on the woodchip-
Dimpled wall and clawed at the worried-rigid whicker screen…
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
“Well now that's done: and I'm glad it's over.”
She smoothes her hair with automatic hand
And puts a record on the gramophone …
[III. The Fire Sermon, The Waste Land, T.S. Eliot]
JIMMY:
Picture you upon my knee
Just tea for two
And two for tea
Just me for you
And you for me...alone…
I'm discontented with homes that I've rented
So I have invented my own.
Darling, this place is a lovely oasis
Where life's weary taste is unknown
Far from the crowded city
Where flowers pretty caress the stream
Cozy to hide in, to live side by side in,
Don't let it apart in my dream-
Picture you upon my knee
Just tea for two
And two for tea
Just me for you
And you for me alone
NANETTE:
Nobody near us to see us or hear us Mm, mm, mm,
No friends or relations Mm, mm, mm,
On weekend vacations Mm, mm, mm.
We won't have it known, dear,
That we own a telephone, dear...
NANETTE:
Day will break and I'll wake
And start to bake a sugar cake...
[Music Vincent Youmans and lyrics by Irving Caesar from No, No, Nanette (1925)]